Showing posts with label beer culture. Show all posts
Showing posts with label beer culture. Show all posts

Saturday, February 11, 2023

Pic(k) of the Week: Tynt Meadow English Trappist Ale

Tynt Meadow English Trappist Ale

Tynt Meadow English Trappist Ale is an English Trappist beer, brewed by Trappist monks (precisely: the Order of Cistercians of the Strict Observance, a Roman Catholic monastic order) at Mount St Bernard Abbey, located in the town of Coalville, in Leicestershire, England, UK.

The monastery was founded in 1835. Brewing only commenced in 2018, when the abbey's small-scale dairy farm had become non-viable (vs. large agribusiness). Tynt Meadow English Trappist Ale is its only beer.

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HOW DOES IT TASTE?

Short answer: delicious. Long answer:

In color, Tynt Meadow is burnished-copper; clarity is good. The beer is well-conditioned, pouring with a long-lived, off-white head and some nice lacing down the glass...possibly because of bottle-conditioning (with live yeast). That also may have contributed a measure of oxygen-scavenging (i.e, active protection against staling). The beer tasted fresh, despite its trans-Atlantic voyage.

The principal flavor is dark fruit with lesser motifs of bitter chocolate and treacle. Interestingly, the monastery does NOT use Belgian yeast (which is the norm for most Trappist ales) but an unidentified English yeast-strain (in addition to English barley and hops, both also unspecified) that is noticeable in a fruit-cake flavor. The ale finishes smooth (I detest the illogical neologism "drinkable"), although the alcohol does seem to create a strong presence in the aftertaste. 7.4% alcohol-by-volume (abv).

Imported bottle (330 ml / 11.2 fl.oz), tasted in Atlanta, Georgia, USA. 20 September 2022.

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ERGO

Based upon their Cistercian adherence solely to prayer and work, the monks of Mount St Bernard Abbey literally produce only enough beer to pay their bills and support their charities. They quote Psalm 104:
You make the grass grow for the cattle and the plants to serve man’s needs, that he may bring forth bread from the earth and wine to cheer man’s heart.

I say, beer is liquid bread. So, please, "give us this day our daily bread."

A series of occasional reviews of beer (and wine and spirits).
No scores; only descriptions.

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Sunday, February 02, 2020

Beer-Cheese Dip

Beer-Cheese Dip

There's something to celebrate — beer isn't just "beer' anymore; it; a delightful beverage to share with family and friends who appreciate quality ingredients in cooking and a new experience in American cuisine. There is nothing "common" about beer anymore.

Written in 1989 by Jack Erickson, Great Cooking! With Beer is a snapshot of American beer 'culture' in the 1980s, when 'craft' beers were called "microbrews" and beer 'culture' was a nascent thing to be coddled. 1 Of course, it was also a cookbook: a useful beginning point for learning about beer IN food. And it remains so today (though sadly out-of-print).2

Mr. Erickson lived in the northern Virginia area through the early 1990s, where he evangelized on the goodness of the new-fangled microbrews. I met him there on a few occasions. I never gathered up the nerve to make his recipe for "Beer Syrup" for pancakes (for which he admonished me), but I have prepared (and enjoyed) other of his recipes, including Beer-Cheese Dip.

Today, the Sunday of Super Bowl LIV, it might be a good day to post about that. So, here's the recipe, but with some personal adaptions. 3


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Recipe

INGREDIENTS
  • 2 cups (6-8 ounces) shredded cheddar cheese, at room temperature
  • 2 ounces cream cheese, at room temperature
  • 1 tsp dry mustard powder
  • 1 clove garlic, mashed...or 1/4 tsp garlic powder (see note below)
  • 1 tsp (vegan) Worcestershire sauce 4
  • 1/2 tsp black pepper
  • 1/2 tsp turmeric
  • 1/2 tsp onion powder
  • 1/2 tsp cumin
  • 1/4 tsp cayenne pepper (or more to taste)
  • 1 tsp malt vinegar
  • 1/2 cup (4 ounces) light lager (e.g., PBR: Pabst Blue Ribbon)
  • 1 dash smoked Spanish paprika
  • scant handful spring onions, chopped
PROCEDURE
  1. Combine cheddar, cream cheese, mustard, pepper, turmeric, onion powder, cumin, garlic, vinegar, cayenne, and Worcestershire in a food processor or blender. (No salt needed; the cheese will be salty enough!) 
  2. Process/blend 30 seconds to blend. 
  3. NOTE:
    When recently re-making the dip, the taste of the single fresh garlic clove overpowered the dish. So, I would recommend first blending all else and only then adding a little at a time of the smashed garlic to the blender/processor and checking for flavor before (or not) blending more.
  4. With processor/blender running, add the beer gradually, blending until the mixture is 'peanut-butter' smooth, not runny. Add more, only if necessary. 
  5. Transfer the mixture to a serving bowl and refrigerate for at least an hour to allow the flavors blend. 
  6. Before serving, bring to room temperature. Garnish with chopped spring onions and a dash of paprika. Serve with raw vegetables. 

Great Cooking! With Beer

Great Cooking! With Beer
  • Author: Jack Erickson
  • Paperback, hardcover: 146 pages
  • Publisher: Redbrick Press (February 1989)
  • Language: English
  • ISBN-10: 0941397017
  • ISBN-13: 978-0941397018
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  • 1 American beer writer Vince Cottone is credited with first using the term "craft brewery" in print in 1986, although it didn't enter the common usage until more than a decade later.
  • 2 Erickson also wrote several beer travelogues, themselves snapshots of 'microbreweries' of the 1980s and early 1990s. These are also out-of-print, but you cna find them if you search for second-hand sources.
  • 3 See Erickson's original recipe: here.
  • 4 Worcestershire sauce, although fermented from barley malt, also contains anchovies. There are non-fish, vegan/vegetarian alternatives.
  • Vegan? Try this 21st-century recipe for a Beer-Cheese Dip, with no actual cheese, from blogger Rabbit and Wolves. Almond milk and nutritional yeast supply the 'cheesiness.' It's tasty.

  • For more from YFGF:

Saturday, September 21, 2019

Pic(k) of the Week: Pray for Zinfandel

Pray for Zinfandel

Pray for Zinfandel!

Or, as Benjamin Franklin wrote to his friend, André Morellet, a 18th-century French economist, philosopher and theologian:
On parle de la conversion de l’eau en vin, à la nôce de Cana, comme d’un miracle. Mais cette conversion est faite tous les jours par la bonté de Dieu, sous nos yeux. Voilà l’eau qui tombe des cieux sur nos vignobles, et alors elle entre dans les racines des vignes pour-être changée en vin. Preuve constante que Dieu nous aime, et qu’il aime à nous voir heureux.

Translated into English, this reads:
We hear of the conversion of water into wine at the marriage in Cana, as of a miracle. But this conversion is, through the goodness of God, made every day before our eyes. Behold the rain which descends from heaven upon our vineyards, and which incorporates itself with the grapes to be changed into wine; a constant proof that God loves us, and loves to see us happy!

Sorry, cerevisaphile. Contrary to your myth, Mr. Franklin did NOT write, "Beer is proof that God loves us." But we can forgive him his trespass.

As to the photo itself: residents of the Oakhurst neighborhood of Atlanta, Georgia, USA, have installed various whimsical found-art sculptures in their front yards and on the median of their street. I snapped the photo on 19 September 2018.

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Thursday, January 11, 2018

The fetid under-beer-belly of 'craft.'


Everybody has a diversity committee. That's the trendy thing to do,” said the big bearded white guy, one of four members of "The Brewsroom," a live Twitch-cast originating in the St. Louis, Missouri-area.

The group was grilling Michael Kiser —founder of website Good Beer Hunting— and writer Bryan D. Roth about the latter's article for the website, "I Know What Boyz Like: A Grassroots Industry Struggles to Find Leadership on Social Issues."

In his 2 January piece, Roth had examined misogyny and racism in the 'craft' beer business. The boys of The Brewsroom took great umbrage with that. They were displeased that breweries they knew had been singled-out without being given fair time to comment.

The group implied that misogyny and racism did not even exist in 'craft' beer. If women and minorities were under-represented in 'craft' beer, it was, one said, because of a deficit of unqualified minorities and women as opposed to available Siebel-trained white males. Or, even if there were unintended exclusion, why should they care? Their market is, after all, “middle-aged white men” And what was Roth, a white male, even doing making these claims, they asked.

In a tweet about his participation in the broadcast, Good Beer Hunting's Kiser wrote: “It was a challenging convo. Some good moments, some very bad. Ended with 'Buy him a brown ale for diversity.' Baby steps.

Yes, you read correctly. As the broadcast concluded, one of the group, who had just been informed that Roth would soon be visiting St. Louis for beer business, actually did say, with a smirk: “Buy him a brown ale for diversity.

And there's the problem. The boys of The Brewsroom were clear that they were there to brew and drink, and not to be social crusaders. This was a 'convo' that had fallen on deaf ears and souls, not one leavened by the kind spin that Kiser and Roth had put on it.

I don't know the members of The Brewsroom. Maybe their home turf indeed had been unfairly impugned. But the excuse that good ol' boy behavior is just good fun is an unacceptable retread.

During 'craft' beer's infancy (1965-1980) and adolescence (I of the latter), minorities and women were woefully underrepresented. We in the industry were not called out for that. How we would have responded is an open question.

But years later, well after the civil rights tumult of the later 20th century, racism and misogyny, whether overt or covert, unintended or disregarded, remain alive and unwell in segments of the 'craft' beer industry and culture. Not by everyone; not everywhere; not all the time; but present. For some, 'craft' beer has become merely the occasion to get drunk, belch, fart, and screw. Someone could write a song. But it's not funny.

As 'craft' beer makers and drinkers, it should be our duty to not allow prejudice to remain as 'craft' beer's foul flavor for our sisters and brothers, our daughters and sons. Drink on it.

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Wednesday, August 16, 2017

"And beer is all there is."



I don't know how many bottles of beer
I have consumed while waiting for things 
to get better
I dont know how much wine and whisky
and beer
mostly beer
I have consumed after 
splits with women-
waiting for the phone to ring
waiting for the sound of footsteps,
and the phone to ring
waiting for the sounds of footsteps,
and the phone never rings
until much later
and the footsteps never arrive
until much later
when my stomach is coming up
out of my mouth
they arrive as fresh as spring flowers:
"what the hell have you done to yourself?
it will be 3 days before you can fuck me!"

the female is durable
she lives seven and one half years longer
than the male, and she drinks very little beer
because she knows its bad for the figure.

while we are going mad
they are out
dancing and laughing
with horney cowboys.

well, there's beer
sacks and sacks of empty beer bottles
and when you pick one up
the bottle fall through the wet bottom
of the paper sack 
rolling
clanking
spilling gray wet ash
and stale beer,
or the sacks fall over at 4 a.m.
in the morning
making the only sound in your life.

beer
rivers and seas of beer
the radio singing love songs
as the phone remains silent
and the walls stand
straight up and down
and beer is all there is.

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Beer
Love is A Dog From Hell (published, 1977)

Charles Bukowski (16 August 1920 – 9 March 1994)
German-American poet and novelist

Charles Bukowski (1920-1994)

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Saturday, July 29, 2017

Pic(k) of the Week: Hop-lights at the Brewmaster's Cottage

Hop lights at Brewmaster's Cottage (04)

The Brewmaster's Cottage is a beer-themed 800-square foot tiny house built by renowned 'craft' beer brewmaster Teri Fehrendorf —founder of the Pink Boots Society— and her husband, Jon Graber, in Portland, Oregon.
The cottage can sleep 4 adults: The upstairs includes a master suite with king bed, walk-in closet, double sink bath, and a sunrise view deck. Downstairs there is a queen murphy-bed desk made by Hidden Bed of Oregon. Our goal with the Brewmaster's Cottage was to create something Unique, Meaningful and Beautiful. I also wanted the space to be Magical, and we have strived to build something so special you will not find a copy anywhere. In addition to the added architectural features such as a foyer with tile floor, mini-chandelier, corbelled hop archway, and steps that double as dresser drawers; the cottage also contains two fluted pilasters, lighted box display cases over the downstairs windows containing my cobalt blue glass collection, a built-in bookcase, and ...

"a box beam with hop lights (!)
separating the kitchen from the living room,
"
pictured above.


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About the builders

  • Teri Fahrendorf
    is currently the Malt Innovation Center Manager for Great Western Malt where she brews and malts on pilot-sized equipment. Teri began her beer career in 1988 after a short career as a computer programmer. She attended the Siebel Institute of Brewing Technology where she was Siebel's first woman class president. She is currently an instructor for the American Brewers Guild. Teri brewed for four commercial breweries including Steelhead Brewery in Eugene, Oregon, where she was Brewmaster for 17 years. In 2007 Teri founded the Pink Boots Society while on her epic Road Brewer journey across the USA and back. She was the 2014 recipient of the Brewer's Association's Recognition Award. Teri is a Great American Beer Festival and World Beer Cup Judge, and has also judged the Australian International Beer Awards and New Zealand Beer Awards. She is a frequent technical author and conference speaker.

  • Jon Graber
    is currently North American Account Manager for Micro-Matic, where he sells the world's finest quality keg valve stems. After a distinguished career as an Executive Chef in Portland, Oregon, Jon became the first manager of, then Brewmaster of Mt Hood Brewing Company in Government Camp, Oregon for 13 years. Jon is a Great American Beer Festival and World Beer Cup Judge and has also judged the New Zealand Beer Awards. Jon and Teri met while volunteering for the Oregon Brewers Guild, where Jon was proud to produce his secret recipe beer doughnuts during OBG fundraisers, which were held at the Oregon Brewers Festival in previous years.
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Saturday, November 26, 2016

Pic(k) of the week: Torched Pils & Pie

Torched Pils & Pie

Beer and food pairing? If it tastes good: eat it. If it tastes good: drink it. Q.E.D. (That's Latin for quod erat demonstrandum, aka: done!, boom!, snap!, mic drop.)

In the photo, it's a Citra-hopped lager and a Caprese pie, made and served at Torched Hop Brewing Company, a brewpub in the Old Fourth Ward neighborhood of Atlanta, Georgia, on 18 November 2016.

It describes the beer as:
a 100% Citra hopped German Pilsner. Citra hops are now one with lager yeast. This 100% Citra hopped lager is an American twist on a traditional German Pilsner.

Hey, now! That's not a Pilsner and, of course, not a German Pilsner. It is, however, a dank, melony American (Georgian?) lager with a bright, dry finish. A tasty hoppy lager, but not a Pilsner. No need to grab foreign laurels. The folk at RateBeer go even further off-kilter, listing the lager as an India Pale ALE [emphasis mine].

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Several years ago, the now-departed SABMiller put out an unintentionally humorous pamphlet on pairing beer and cheese. In it, the international beer conglomerate provided descriptions of various cheeses, each illustrated with beautiful photographs. For each cheese, the company suggested one beer pairing. But for each, it was always the same beer: Pilsner Urquell, a venerable Czechian beer which the conglomerate had acquired. And a true, if not German, Pilsner. (One could argue that the "original" Pilsner was from Czechian Plzeň, or Pilsen, after which an "er" was appended, registering Bohemian provenance.)

I wish I had saved the pamphlet.

From four decades earlier, here's a 1963 print advertisement from another beer behemoth, Anheuser-Busch, one in a series of 1960s ads entitled “This calls for …”

Cheese 'n crackers, and Bud.

In this case, the this —Budweiser lager— “calls for cheese 'n crackers.” Although I might would opt for a different beer, the overarching idea stands: beer and cheese are natural 'partners.'
To prove that life's greatest pleasures are simple, set a really ripe farmhouse cheese —a well-mannered fruity Cheddar or blue Stilton for preference— alongside freshly baked wholemeal bread, a spoonful of home-made chutney, and a foaming pint of well-hopped, CASK-CONDITIONED [emphasis mine] English ale. Cheese, bread, and beer — the holy trinity or epicurean ecstasy. In other words, the perfect ploughman's, the definitive pub grub from time immemorial.
—Susan Nowak
The Beer Cookbook

And a pizza pie would do just fine.

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Monday, November 21, 2016

A Twist on Tradition: The Right Beer, Thanksgiving Dish by Thanksgiving Dish.

Dining partners, regardless of gender, social standing, or the years they've lived, should be chosen for their ability to eat - and drink! - with the right mixture of abandon and restraint. They should enjoy food, and look upon its preparation and its degustation as one of the human arts.
M.F.K Fisher

Beer for Thanksgiving? Yes! But as to what beer to drink with which dish, let the curators drink alone. There are no rules, but only enthusiastic suggestions.

Be that as it may, maybe a non-dank pilsner, or a spicy, dry (that's the key) saison or dubbel, or, if you're so blessed, a cask-conditioned bitter: sip, pull, and repeat. (Or, okay, a dry IPA.) Beer drunk with cheese; with everything else, don't make beer the star, just the pal. Maybe with sweets, it should be sweeter. Over-hoppy-ed examples? They belong in long special-release queues; over-alcohol-ed, with postprandial digestive stupors.

Pretty in Pink Saison

But, above all, this should be fun. And it's all been done before.


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A Twist on Tradition: The Right Beer, Dish by Dish

In 1983, the late British beer writer Michael Jackson commented upon American Thanksgiving for the Washington Post. In A Twist on Tradition: The Right Beer, Dish by Dish, Jackson wrote on drinking beer, not wine, at the Thanksgiving meal. The principles endure, even if the beers have been superseded by latter-day choices.

[N.B. Jackson's essay is unavailable to read at the Washington Post, even via the paper's archive service. Fortunately, The Beer Hunter, Real Beer's archive of Jackson's writing, has preserved it. And, from there, re-printed here.]

A Twist on Tradition: The Right Beer, Dish by Dish
Shared Glass

By Michael Jackson
Special to The Washington Post
Nov 16, 1983.

Everyone knows what to eat on Thanksgiving, but what to drink? The most dismal Thanksgiving I can imagine is the one detailed by Dale Brown in his definitive work "American Cooking": "A glass of spring water stood at each place. No wine here, not ever - except perhaps when the men drank it in the barn." So what should it be next week: A little Seawright Spring Water, from the Blue Ridge Mountains? Or, to be moderately more chic, a glass of Perrier - while the men drink Zinfandel in the garage?

Water taken in moderation cannot hurt anybody, as Mark Twain observed. Those watery celebrants, however, were guilty of what Twain termed "intemperate temperance." There is an idea, whose time has surely gone, that, because they were Puritans, the Pilgrims did not drink alcohol. I have heard of poor souls in New England who, in glorification of this myth, affect to enjoy glasses of cranberry juice with their Thanksgiving meal.

To give thanks is a matter of joy; should that be confined by excessive sobriety? Better still, Thanksgiving is an annual opportunity to refresh old friendships and make new ones, in which matter both the ritual and effect of a shared glass is the best tie.

Wine should be more than acceptable at this feast, for even the most ordinary meal without the grape is, proverbially, like a day denied sunshine. Unless, of course, you prefer beer.


In Europe, whether you drink wine or beer with your meal may depend simply upon where you live.

On this choice between wine and beer, there is a snobbism which is particularly American.
In Europe, whether you drink wine or beer with your meal may depend simply upon where you live.Wine is the natural drink in the hedonistic, warm, grape-growing countries of the South, like France, Spain and Italy. The diligent folk of the Protestant North, whence the Pilgrims came - from The Netherlands and England - grow grain and make beer.

There is some significance, too, in the fact that the social cultures are similarly split on the question of hard liquor. The Catholic South produces various types of brandy; the Protestant North makes gin (in The Netherlands and England) and whisky. As a matter of fact, the birthplace of gin was the city of Leiden, in The Netherlands, one of the points of departure for the Pilgrims. Gin was originally produced as a medicine, and was customarily taken on sea journeys.

Suspicions about the Pilgrims' drinking habits must mount when it is noted that their other two points of departure, London and Plymouth, are the English towns most associated with the distillation of gin. Perhaps there is a vestige of tradition in the only recognized cocktail for Thanksgiving, which is gin-based. It also includes lemon juice (to combat scurvy?) and, incongruously, apricot brandy and vermouth.

The Thanksgiving cocktail is presumably intended as an aperitif, and it sounds moderately awful. Better to precede the meal with a beer and carry on in the same vein. This pays homage to the priorities of the Pilgrims.

When the Pilgrims sought a place to make their permanent landing in America, they did so, according to their diaries, "our victuals being much spent, especially our beer." Having thus landed because they had run out of beer, they probably set out to make some, perhaps using birch sap (Captain Cook did the same with spruce when he landed in New Zealand).

A more conventional type of beer - a darkish and broadly English ale - was last month (October) brewed especially for a commemorative dinner at Plymouth Plantation, the "living museum" of Pilgrim life, in Massachusetts. Such delight has been expressed over this beer that the Plantation now hopes to secure a regular supply from its source, a home brewery called William P. Byrnes.


Just as the wine-drinker can choose a different style to accompany each course of his Thanksgiving meal, so can the beer-buff.

Just as wine has attained a hint of sophistication since the days when it was consumed surreptitiously in the barn, so beer has gained a degree or two of refinement since it was brewed from birch sap. Today's wine drinker has an elegant choice of varieties, styles, vineyards and regions from which to select, and the choice before the beer-buff is arguably even greater. Just as the wine-drinker can choose a different style to accompany each course of his Thanksgiving meal, so can the beer-buff. In either case, so to speak, it might be fastidious to the point of pedantry to plough through six or seven different wines or beers (though it would make for a roseate Thanksgiving); in practice, three or four would be plenty. Let us, nonetheless, explore the possibilities.

As an aperitif, a wine-drinker might well choose a fino sherry: intensely dry, individualistic and with its own freshness and vitality. Precisely the same characteristics are to be found in a magnificent beer called Orval, which is brewed in a monastery in Belgium and is now a quite widely available import in the United States. Like some fine wines, it throws a sediment, so decant it carefully into the glass. It should be only lightly chilled, to what would be a natural cellar temperature, ideally about 55 degrees F. Orval has an alcohol content of more than 4.5 per cent by weight; about 5.75 by volume.

Since the Pilgrims were Protestant, purists might object to a beer from a Catholic monastery. An alternative might be to cleave to the good old Scottish name of Ballantine and the famous American beers behind that label: not the regular beer, nor the basic Ballantine Ale, but the same company's quite different I.P.A. (India Pale Ale). This type of beer was originally brewed by the Scots and English for long sea voyages to the Empire. Ballantine's I.P.A. was first brewed in the Northeast of the United States, where it has a staunch following, though it is now a national product. It is a dry, aromatic ale of about 6.0 per cent by weight; 7.5 by volume. Like all ales, it expresses its palate most fully at a natural cellar temperature.

With oysters, the wine-drinker would opt for Chardonnay, Muscadet or, best of all, Champagne. On the question of beer, there is no doubt: it has to be a dry stout, preferably Guinness or one of the Irish examples like Murphy or Beamish, which are occasionally to be found in the United States. Perhaps it is that dry, tangy quality that makes such a wonderful success of the unlikely marriage between big, black beers and delicate shellfish. No one has been able wholly to analyze the magic, but dry stout and oysters are a long-honored partnership in Ireland. If you feel that an American feast should be more patriotic, substitute a native porter like Pottsville (from Pennsylvania) or Narragansett (originally from New England, of course, though again now national). Serve these beers only lightly chilled or better still, half-and-half with cold Champagne, in a flute. Stouts generally have an alcohol content of around 4.0 per cent by weight; 5.0 by volume.


Two labels are imported: one from the Lindemans farmhouse brewery and the other under the commercial Belle Vue trademark.

For both wine and beer, one of the most difficult relationships is with salad, whether savory or fruity. Wine-writer Hugh Johnson has an interesting approach to this question: the character of a wine is assassinated by vinegar. So, in your salad dressing, use wine instead. An impudent extension of this theory would be to use a wine-like beer. This is an opportunity to try one of the world's most unusual beer-types: gueuze, a specialty of the Senne valley, near Brussels. This is one of those beers that gain a special fruitiness from the use of wheat in addition to the normal barley. More important, as in traditional wine-making, it is fermented with wild yeasts, in wooden casks. It has a tart, vinous, perhaps even cidery, character and is in its native country regarded as the most refreshing type of beer for summer. Two labels are imported: one from the Lindemans farmhouse brewery and the other under the commercial Belle Vue trademark. To serve gueuze with (and in) a salad might prove quite a coup. An even bolder stroke would be to present its companion beer, kriek, with a fruit salad. This is a beer of the same basic type but with the addition of dark cherries in the maturation cask. Both Lindemans and Belle Vue have kriek beers in the American market. Gueuze beers generally have an alcohol content of around 4.5 by weight or 5.5 by volume. Kriek comes out at about 5.0; 6.0. They are best served lightly chilled. Alternatives might be the German wheat beers, Berlin weisse and Bavarian weizen respectively. There is no American counterpart to any of these products at the moment, though wheat beers were produced in the U.S. before Prohibition and one brewer is toying with the idea of reintroducing them.

With the centerpiece of the meal, the turkey, the wine-drinker has a difficult choice. Should it be a medium-dry white? Or a drier, medium-bodied red? Among beers, I would opt for a pale but medium-dry brew of the type produced in the city of Munich and elsewhere in Bavaria. This type of beer features in the extensive portfolios produced by all the famous Munich brewers: Augustiner, Hacker-Pschorr, Hofbrau, Paulaner and Spaten. In this instance, though, check to make sure that what you are buying is described in one way or another as the brewery's Light beer. It may be designated as Munich Light, Light Reserve or Light Export or have some similar sobriquet, perhaps even the irreverent-sounding German counterpart Hell. These descriptions refer to a light color, and most definitely not to body; nothing quite like these beers is produced in the U.S., and they are not intended to quench the thirsts of footballers.

With just a hint of sweetness to match some of the turkey's accompaniments, these Munich Light beers have plenty of body without being too filling. Their alcohol content is pretty ordinary, at well under 4.0 per cent by weight or 5.0 by volume. As for serving temperatures, the simplest rule to observe is that any beer from Munich or elsewhere in Bavaria should be served chilled but not to American popsicle level; not less than 48 degrees, in fact.

A more pronounced sweetness is clearly required to go with the pies, and this might be a case for the chocolate-colored Munich dark (around 4.0; 5.0) or the stronger, amber Marzen or Oktoberfest beers (4.5; 5.5), from the same selection of breweries. Among dark beers alone, these Munich breweries produce so many different varieties that intrepid drinkers have a considerable challenge on their hands. It might be advisable at this stage to retire gracefully, but you don't have to....

After dinner, instead of a brandy or port, the determined drinker will return to Munich for a bock, (5.0; 6.25) or even a double one, a doppelbock, (6.0; 7.5). All double bock beers have names ending in -ator, in deference to the original, Salvator ('Saviour'). This sounds like a suitably religious beer with which to salute the Pilgrims, though celebrator is another fitting label. Only the brave will try E.K.U.'s Kulminator '28', which has an alcohol content of around 10.0 per cent by weight, 12.5 by volume and is the strongest regularly-produced beer in the world.

By the time the nuts come round, anyone still fit to drink might opt for a Madeira or perhaps a sweet stout like Mackeson, from England, at around 4.0; 5.0. Serve this one at room temperature, preferably in a big, leather armchair.

Some foods are perhaps less well suited to wine than to beer. Shellfish go well with either but sushi, for example, has a happy relationship with a light Japanese or American beer. The same is true of any spicy Oriental food. Naturally enough, smoked meats and sausages are perfectly accompanied by German beer. Perhaps the happiest combination of all is red meat, especially roast beef, with English Pale Ale. Here are some simple guidelines.

As an aperitif: Dry, hoppy beers with some bitterness. Try New Amsterdam (from New York) or Anchor Steam (San Francisco).

With fish: Pilsners. Almost all of the well-known American beers are loosely of this style. So are the best-known imported brands, like Heineken and Carlsberg. Czech and German Pilsners tend to be drier, and therefore go especially well with the more oily varieties of fish.

Shellfish: Dry stouts or porters.

Smoked meats, sausages: If you can find it, the smoked Rauchbier of Bamberg, Germany. Or a German altbier or weizenbeier.

Pasta: The less spicy pasta dishes of Northern Italy go quite well with the Munich Dark type of beer. It is, after all, commonly served with the admittedly-heavier noodle dishes of Germany.

Fowl: Munich Light with turkey; perhaps the slightly less sweet Dortmunder style might go better with chicken.

Red Meat: English Pale Ale.

Game: Scottish ale, which is heavier.

The myth that American beers are especially weak derives in part from the use of U.S. regulations of the alcohol-by-weight measure. This produces lower figures than the measure of alcohol by volume. A typical American beer of 3.75 alcohol by weight would have almost 4.7 by volume. This is typical of ordinary beers in many parts of Europe. The beers mentioned in this article are inclined to be stronger because they are specialties. Alcohol by volume is the best guide for the shopper because it is the system used on wine labels. Beer is, of course, the more filling of the two drinks, though wine is stronger, at 11.0-13.0 by volume in most cases. Anyone planning to sample a beer with every course at Thanksgiving might consider using goblets like those employed for red wine. An eight-ounce serving of beer with each course should be plenty.

The style of beer familiar to Americans is, in connoisseurs' language, a lager broadly of the Pilsner style, which originated in Bohemia, Czechoslovakia. However, 'beer' is a general term which covers many other styles, including ale, porter and stout.

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Monday, October 10, 2016

A Brown October Ale? Yes, please.

Brown Ale: rich color, malt complexity, and a sweet, deep caramel-like flavor that many beer lovers describe as 'luscious.' The sublime result- a beer that is at once luxurious and quaffable.
Brown Ale: History, Brewing, Techniques, Recipes
Ray Daniels and Jim Parker

Oliver's 3 Lions Brown Ale @spacebar

A Brown October Ale? Yes, please. But quickly, today. Before 'craft' innovation re-renders it as a basket of hops, with dark malt merely the wrapping of a pretty bow.

*************
Brown October Ale was a well-known song from the comic opera Robin Hood, an American light opera first staged in Chicago in 1890. It was revived there as recently as 2004. The music was by Reginald De Koven, and book and lyrics, Harry Smith, both Americans. [...] The opera interprets the Robin Hood legend. The gas lamp era was a time when medieval England had some hold on the public imagination. [...] Brown October Ale, the song, had a long career in the American popular music repertoire and was performed into the 1940s at least.
—Gary Gillman
Beer et seq.


Earl Wrightson sings Brown October Ale, from a radio broadcast of 1944.

And it's will you quaff with me, my lads 
And it's will you quaff with me? 
It is a draught of nut brown ale I offer unto ye. 
All humming in the tankards, lads, 
T'will ease thy heart folorn, 
For here's a friend to everyone, 
'Tis stout John Barleycorn.

So laugh, lads, and quaff lads. 
T'will make you stout and hale. 
For all my days, I'll sing the praise of 
Brown October Ale. 

And it's will you love me true, my lass 
And it's will you love me true? 
If not, I'll drink one flagon more and so farewell to you, 
If Kate or Moll or Nan or Doll has left thy heart forlorn, 
Fill up the pail with nut brown ale 
And toast John Barleycorn. 

So laugh, lads, and quaff lads. 
T'will make you stout and hale. 
For all my days. I'll sing the praise of 
Brown October Ale. 
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Tuesday, August 30, 2016

Beer Hunter, Whisky Chaser

Hello, my name is Michael Jackson. No, not that Michael Jackson, but I am on a world tour. My tour is in pursuit of exceptional beer. That’s why they call me the Beer Hunter.

"Beer Hunter, Whisky Chaser"

That other Michael Jackson (1942-2007) died nine years ago, today, of complications related to the neurological Parkinson's Disease. Of his legacy, Gavin D. Smith, a Scottish author on whisk(e)y and beer, wrote this, in a thirteen-writer tribute book, Beer Hunter, Whisky Chaser (2009):
The World Guide To Beer was written by Michael Jackson [in 1977]. Almost immediately, the volume earned him a place as one of the most influential drinks writers around. He was to confirm that position during the succeeding years with a plethora of important titles on the subjects of beer and subsequently whisky. [...] The modern theory of beer 'style' was largely developed by Jackson and expounded in this book, with beer classification being formalized into three essential categories of 'bottom-fermented,' 'wheat beer' (also 'bottom-fermented'), and 'top-fermented,' with many sub-division in each classification.

As well as its categorization-based approach, one of the factors that made Jackson's study of beer highly unusual at the time was a passionate attachment to the locale and the manner in which [beer] was drunk, the food it accompanied, and the heritage of the brewing operations in question. [..] To borrow a phrase from the poet WH Auden, he helped [beers] to become 'like some valley cheese, local, but prized elsewhere.'

In the nine years since Jackson's death, and prior, beer scholarship has advanced much, history researched more at original sources, and 'facts' redacted or debunked, but the kernel of what Jackson planted remains, and the tree has grown fruitful. Here's Portland-based beer writer Jeff Alworth, writing recently at his blog Beervana, re-defining Jackson's legacy:
Jackson was fundamentally an ethnographer. He wasn't a brewer and he wasn't an historian. He called himself a journalist, but his biggest contribution was understanding beer in the context of the culture in which it was brewed. He might have approached beer from the sensory perspective, as much wine writing does, or he could have gone out to breweries and described the beer they made, like a simple journalist. Instead [...] Jackson situated beer in a place. He demonstrated how it was an expression of the culture of the people who made it.

The thing that fueled the American brewing revival was how people fell in love with beer, and Jackson's culture-rich writing was one of the main vectors of that romance.

Worth looking for, and looking at, is The Beer Hunter, a four-part video series written and hosted by Jackson, and broadcast in the United States in 1989 by the Discovery Channel. It's a VHS(!) snapshot, now nearly thirty years past, of beer appreciating its nobility but reveling in its common-man freshness (the latter, a joy, that, these days, often seems to be 'experted' and curated away). Jackson provides wit and pith, limning the players, but, as in his books, never upstaging them.

The Beer Hunter VHS (03)

The logical beauty of Jackson's writing remains vibrant even today, when it can still outshine a lot of current writing in praise of 'craft' beer, so fanciful and jargon-draped. Take this Jackson gem, for example, composed on British beer, his first and true love.
Before British beer can be enjoyed, experience is required, but the same could be said for sex. In both cases, mistakes are inevitably made, but the triumphs make the disasters worthwhile.

Beer goggles were never so clear.

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Tuesday, January 26, 2016

Reviewing beer? Avoid "high and mighty snobbery."

Today, a second in an infrequent (ex post facto?) series on reviewing beer.

The first installment was from historian Maureen Ogle: a humorous essay on enlivening a review by bringing in personal experience. Today, it's advice from the BJCP newsletter, on how to avoid "high and mighty snobbery."

The BJCPBeer Judge Certification Program— trains and certifies judges for homebrew and professional beer competitions. It's a non-profit organization, founded in 1985, "to promote beer literacy and the appreciation of real beer, and to recognize beer tasting and evaluation skills."

At every competition we judge, we are told to ensure that entrants are receiving quality feedback and scoresheets. [...] While it is the duty of each judge to write a proper scoresheet, remember that it is an even worse error to only write a few comments, which is seen from time to time. [...] As the day gets long and judges become complacent, it can begin to creep into sections of a beer’s evaluation by judges of all levels.

One of the easiest way to combat this, and give interested stewards a chance to enhance their judging skills, is a simple discussion. Naturally, this happens at varying levels after every beer, but if you see scoresheets beginning to suffer, take it a step further. All initial notes have been made at this point, but taste the beer again and together highlight the basic aspects of the beer that are listed in each section of the scoresheet. Alternate and discuss.

BJCP logo

For instance, in the Aroma section, begin simply by discussing the malt character. What you notice, the intensity, the specific characteristics. Take that next into how it plays with the hop character of the beer. Move to the yeast, and anything else that stands out. Both positive and negative. Just remember to stress how it comes to play versus the style guidelines. If you haven’t taken the time to review the guidelines together, pull them out now and take the opportunity to do it. While this may cause the evaluation of a couple beers to take a bit longer, you will have a refreshed understanding of what the beer should be and what is expected on the scoresheet. This should also help the later beers in the flight move faster, as now there is a greater understanding of the beers being presented to you.

While this may sound like a cliche, and may not be completely possible in every situation, invoking memories about the beer and translating those memories helps to build a better scoresheet. Even if the only memory you can recall is that of another beer or brewery, write that down. While it may be a tricky area saying something such as, “This beer is reminiscent of an -insert brewery name- product”, it shows at a minimum the beer is of commercial grade.

Specific memories typically mean nothing to another person. For instance, how many people out there have tasted your grandma’s homemade rhubarb pie? But in general terms, everyone should at least have an idea of basic concepts even if they have never experienced salt water taffy, charleston chews, or chocolate covered cherries. Getting judges and stewards to reach and expand their thought process while drinking a beer leads to better understanding.

Judging Maryland's best (04)

When it comes to the Overall Impression section of the scoresheet, it is easy to discuss major faults and give troubleshooting advice for those. But what about the very good beers that just have minor stylistic issues? The ones that score well but are just missing that unexplainable wow factor. [...]

This can be a difficult section, and sometimes judges struggle with what to include here. Begin by giving your basic thoughts on the beer in regard to the entered style. Also, if the beer is a good example of a style, but not the style entered, be sure to not only say it is miscategorized but where it should go. There are times when entrants received this feedback but they were not told why the beer was out of style or where it should go instead. After that you can move into talking about how the beer missed the mark in sections where it was either not previously discussed or where the “major” issue lies.

Ask the judge you are working with to contrast the characteristics of the beer with the guidelines. While working on those areas, also consider the balance of the beer. The bitterness of a beer can be right for the style but paired with the body or yeast character, there may be a struggle for power. Comments in this vein will give more experienced homebrewers ideas to think about rather than what some see as “high and mighty snobbery” and will give the less experienced homebrewers an idea of what the score they received actually means in regards to their beer.

While consistently creating high quality scoresheets takes time, taking it one section at a time and filling it out as carefully and accurately as you can is of huge value to the brewer. A poorly completed scoresheet has no value to anyone and detracts from the judging process. [...]
Advice for quality scoresheets
BJCP newsletter
Allen Huerta
25 January 2016.

BJCP scoring sheet
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Friday, January 01, 2016

Beer is joy juice. (The Session: Beer Blogging Friday.)

Session 107: Holiday Beers The Session is a monthly event for the beer blogging community, begun in March of 2007 by Stan Hieronymus of Appellation Beer and Jay Brooks of the Brookston Beer Bulletin.

On the first Friday of every month, a pre-determined beer blogger hosts The Session: Beer Blogging Friday. He or she chooses a specific, beer-related topic, invites all bloggers to write on it, and posts a roundup of all the responses received. For more information, or to ask to host, go to the home page.


For the first The Session: Beer Blogging Friday of 2016, Dan Conley of Community Beer Works, a nanobrewery in Buffalo, New York, was the host. He asked this:

The topic I want you all to write about: “Are breweries your friends?” To be in business nowadays you pretty much have to have a social media presence. This is especially true in the beer world, where some breweries have basically built themselves on their personality. And yet, at the end of the day, we’re also selling you something. I believe this is the first Session to be hosted by a brewery rather than beer blogger. How do you feel about that? Do you want your feeds clear of businesses, or do you like when a brewery engages with people? Can you think of anyone who does it particularly well, or poorly?

To which beer writer Alan McLeod at A Good Beer Blog responded:
What an excellent set of questions. They ask us to look in the mirror a bit and think about how beer affects relationships but they also ask us to consider the meaning of friendship. I am a lucky guy. I have friends. Friends are people who you have known a long time, have been with you through good times and bad, folk who you can rely on without any thought of doing something in return. When they let you down the relationship is not undermined. Friends are rare.

And then Mr. McLeod wrote this:
See, beer is joy juice. Makes you happy. Makes you think you are a better dancer, that your joke is funnier than it is. Makes you set aside the rules once in a while. I once knew a couple that only seemed to get along when drinking. The solvent, as I quipped, was the bond. Like any thought altering drug, alcohol can make you think you are engaged in a friendship when you really aren't. "Good times, good friends, great beer" is the promise. How much more the risk when the beer is free and the friend is the brewer? Careful relationship management is required to walk safely though that potential minefield.

To which he perorated:
Are brewers my friends because I follow them on social media? Not a chance. They are not even my acquaintances. Doesn't mean they are not worth respect and attention. But in this business, that's just business. Friends are rare. Worth more than just respect and attention.

What is the nature of friendship? What is the purpose of beer drinking? What are beer goggles? What are professional ethics?

Mr. McLeod has plumbed those in a mere eleven paragraphs. Which is why I've simply quoted the pith of his essay for January 2016's The Session: Beer Blogging Friday, rather than contributing myself.

Beer is joy juice, Mr. McLeod says. With more of that, may the goddess bless us all in 2016, every one.

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Thursday, December 10, 2015

Maureen Ogle shows us how to write a beer review.

Maureen Ogle writes books on history, like modern plumbing and meat in America. In 2006, she wrote on beer, publishing Ambitious Brew: The Story of American Beer, a seminal history of that topic.

In her Facebook rant, err post, below, Ogle does what so few beer reviewers do. She defines her prejudices of dislike and parameters of enjoyment. She tells you something more about herself. And then she elucidates, in direct terms, how one beer falls far from those parameters, and the second well within. She uses phrases that evoke meaning beyond "awesome" or "hoppy."

And, she really, really doesn't like Ballast Point's Sculpin.

1. I promise I will NEVER AGAIN comment on a beer that burns my mouth.

2. In my opinion, feeble though it is, a "good" beer is a beer that tastes good to ME. Not you. Not her. Not him. ME. If it doesn't taste good (and a beer that burns my mouth does not taste "good" to me), then I prefer not to drink it.

3. What I think is a "good" beer has NOTHING AT ALL to do with a) its ingredients; b) its maker; or c) [and most important] its technical quality. Eg, I have NO doubt that Ballast Point's Sculpin is a superior beer. But it doesn't taste good to me.

4. On the other hand, Ballast's Indra Kunindra is a fucking revelation. I have four bottles in the fridge. I think it may now be my desert island beer. I had a dream about Indra K. Its flavors haunt me. Do I think it's a "good" beer. Oh, yes, I do.

5. I AM NOT AN EXPERT ON BEER. I drink beer that I think tastes good. I avoid beers that don't taste good. And that, my very dear friends, colleagues, and random encounters in the cosmos, is my bottom line and final word on the debate about "good" beers.

6. Yes, this is very much like my take on the meaning of life. I made up my mind decades ago, and nothing since has changed my mind about said meaning. And no, I don't discuss that. With anyone.
From Maureen Ogle's personal Facebook page: 7 December 2015. Reprinted with permission.

'By the way,' the first.

I disagree with Ogle. I personally like the 'bite' of Ballast Point's Sculpin. It was one of the first 'west coast' IPAs I had ever tasted that presaged the current U.S. practice of emphasizing Juicy Fruit-like aroma hops (even while still delivering a finishing slug of hop burn).

But that's the point. Ogle shows us how to write a beer review. She doesn't damn the beer because of categorical disregard. She doesn't damn the beer's technical merits, in fact just the opposite. What she does do is tell us that she doesn't care a whit for Sculpin, to her taste, and what that is. She gets up close and personal. A lot. But reading her reaction to Sculpin will clearly tell you whether you would want to taste it, taking on the 'burning' challenge...or not.

'By the way,' the second.

Ballast Point is a craft brewery in San Diego, California: in fact, one of that city's pioneering breweries, opened in 1992. It recently made headlines when it was purchased by Constellation Brands (a wine-centric alcoholic beverage conglomerate based in New York state) for a heretofore unheard of price for a 'craft' brewery ... $1 billion dollars.

'By the way,' the third.

Ogle has recently announced her intention of writing an update to Ambitious Brew: an 'e-essay' on the decade of 'craft' beer following the book's publication.

I plan to celebrate its tenth birthday by publishing a new final chapter. An addendum, if you will, to the book. This won’t be a revision: I don’t own the rights and the publisher has no interest in the book and certainly not enough to pay for a revised edition.

Instead, I’ll write the chapter and publish it as a stand-alone essay. Digital only, to begin with. (I’d love to do a print-on-demand paper edition, but that would be pricey for both me and readers. So for now that’s a back-burner option.)

I plan to publish the essay on/around October 1 2016.

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Friday, November 20, 2015

Thank you, Bill Siebel!

There are many 'rock stars' in 'craft' beer: some deservedly so, some by acolyte acclaim, some self-anointed. The number of real stars is far fewer.

Despite the Luddite choir currently ascendant in some sections of the 'craft' beer industry, preaching creativity over 'rules', it's the beer educators who are indeed among those true stars, whom we should be celebrating for their essential work in training us, promulgating the zymurgy and technology that advances good beer.

To name but three:

  • Michael Lewis, professor emeritus of brewing science: the University of California, Davis.
  • Steve Parkes, brewmaster; owner and lead instructor: American Brewers Guild.
  • Bill Siebel.
For many years, Bill Siebel was chairman and C.E.O. of the Siebel Institute of Technology, in Chicago, Illinois, the oldest brewing school in the Americas. His great-grandfather, a German immigrant, founded the school in 1872.

Bill Siebel: 1946-2015.

As an educator and administrator at the school, Bill Siebel wielded influence upon several generations of American-trained brewers: microbrewers (such as this blogger), 'craft' brewers, large mainstream brewery brewers, and just plain ol' American brewers. The school's reputation was global; many foreign breweries sent their employees to be zymurgically educated.

I remember well my first day there, in the early 1990s. Bill greeted me. I addressed him as "Mr. Siebel." He corrected me, "It's just Bill." My career path changed that day, and it's been beer ever since.

Bill died earlier this month.

R.I.P., (and I will say it incorrectly one more time) Mr. Siebel. Thank you for all you have done for the advancement of good beer, in America and globally. Your influence upon us: that is your living legacy.

Bill Siebel, leader of historic Chicago beer brewing school, dies at 69.

Bill Siebel was the fourth generation of his family to head [the Siebel Institute of Technology], a Chicago beer-brewing school that has produced tens of thousands of alums with surnames such as Busch, Coors, Pabst, Stroh, and Floyd — as in 3 Floyds Brewing Company.

It wouldn’t be exaggerating to call him a member of the “First Family” of beer education in the U.S., said Charlie Papazian, president and founder of Denver’s Great American Beer Festival, the nation’s largest.

Mr. Siebel, who had esophageal cancer, died on November 8, 2015, at Northwestern Memorial Hospital [in Chicago, Illinois]. He was 69.

Bill Siebel was chairman and CEO of the Siebel Institute of Technology, established in Chicago in 1872 by his great-grandfather, Dusseldorf-born immigrant John Ewald Siebel. It bills itself as the oldest brewing school in the Americas. “There is one, based in Germany, established before us,” said Keith Lemcke, vice president of the Institute, at 900 N. Branch Street.

“It’s been a continuous run,” Lemcke said, “except for this inconvenient time we call ‘Prohibition.’ ” During Prohibition, it kept going as a school of baking — which, like brewing, uses yeast.

Siebel Institute students, Lemcke said, have included August Busch III of Anheuser-Busch; John Mallett of Bell’s Brewery in Kalamazoo; the father and grandfather of Samuel Adams brewer Jim Koch; and Greg Hall, a brewmaster at Goose Island Beer Company and son of Goose Island founder John Hall.


“The contributions that the Siebel Institute has made to brewing — and to training craft brewers — in its long history, are far too numerous to count,” said Koch of Samuel Adams. “I’m a sixth-generation brewer, and my father graduated from Siebel in 1948 and my grandfather in 1908. . . . The industry has lost a great one.”

The family school is “the longest-living institution that has served as an educational institution for brewers in the United States,” Papazian said. “They’ve gone through a lot of transitions, from the small breweries going out of business in the ’50s, ’60s and ’70s, to embracing the small craft brewers that were emerging in the ’70s and ’80s, welcoming them, and offering them educational opportunities. Bill was involved with that transition.”

“Many of our employees are graduates of Siebel Institute, and the impact the school has made on the beer community is impressive,” said Ken Stout, general manager of Goose Island Beer Company. “A great industry leader has been lost, and we’ll miss him dearly.”

Bill Siebel and his brother, Ron, grew up near Devon and Caldwell in Edgebrook, and at the Southwest edge of the Evanston Golf Club in Skokie, where one of the tees was behind their home. A highlight of their youth was spending summers with their mother, Mary, at Paradise Ranch near Colorado Springs, while their father, Raymond, commuted back and forth from the Siebel Institute in Chicago. The Siebel boys became accomplished horseback riders.

They attended grade school at the old Bishop Quarter Military Academy in Oak Park. Bill Siebel graduated from Florida’s Admiral Farragut Academy and the University of Miami. He served in the Navy, rising to lieutenant, before returning to Chicago — and the family beer school — in 1971, said his wife, Barbara Wright Siebel.

Both brothers attended the Siebel Institute, where a variety of classes, diplomas and certificates focus on yeast, malt, fermentation, biological science, quality control, engineering and packaging. “One of my classmates in 1967 was August Pabst, and August Busch III was a few years before,” Ron Siebel said.

For decades, the school and laboratory were located at 4055 W. Peterson, where the Siebels had a brewing library and a second-floor bierstube with heirloom steins.

After their father and uncle sold the business, “Bill and I were successful in getting it back,” Ron Siebel said. “We got it back in the family hands, and it stayed there until [Bill] retired and wanted to liquidate his holdings in the institute.” Today, the school is owned by Lallemand, a Canadian yeast company.

Ron Siebel focused on selling products such as stabilizers, which preserve clarity in beer. “Bill was ‘Mr. Inside.’ He was very good with numbers,” his brother said. Because of him, “The business was always on a steady course.”

Bill Siebel retired in 2000, Lemcke said.

He restored himself and reveled in nature, hiking, and watching birds and animals. For their honeymoon, Bill and Barbara Siebel canoed nine days on the U.S.-Canadian Boundary Waters. And for 20 years, they canoed in Ely, Minnesota, where he enjoyed spotting bear and moose. He also loved reading Dostoevsky and Tolstoy.

A memorial service is planned from 2 p.m. to 5 p.m. on November 22, 2015, at the Siebel Institute of Technology, 900 N. Branch Street [Chicago, Illinois].
Chicago Sun-Times
16 November 2015.

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